Create a 30-second live-action, highly saturated summer commercial. It must look like a genuinely filmed high-end youth commercial, not like an animated still image. Core visual language: hot summer, vivid street colors, a roadside drink stand, strong graphic color blocks, a living camera, authentic handheld movement, beautiful commercial-grade lighting, wide-angle close-ups, rapid changes in shot scale, camera fly-bys, foreground fly-throughs, focus transitions, real physical camera movement, and a strong summer pop-commercial feeling.
This is a playful commercial for watermelon-flavored Dirol chewing gum. There is only one protagonist: the red-haired girl from @Image1. Use @Image2 as the only reference for the product packaging. She wears a unicorn kigurumi in a bright summer street environment, chewing watermelon-flavored Dirol while performing exaggerated, cute, intentionally slightly cringe commercial acting directly for the camera. The entire film has a light, catchy, cute bubblegum-pop English advertising song playing as background music / soundtrack, centered around watermelon freshness, chewing gum, bubbles, summer fun, and sweet silly commercial energy.
[HIGHEST-PRIORITY AUDIO RULES]
The song exists only as background music.
The female protagonist must absolutely NOT sing it herself.
The female protagonist must absolutely NOT lip-sync.
The female protagonist must absolutely NOT mouth the lyrics.
She is not performing as a singer. She performs, dances, acts silly, chews gum, blows bubbles, poses, and interacts with the product and watermelons while the advertising music plays in the background.
Her mouth movements must correspond to chewing / smiling / breathing / blowing bubbles / playful facial acting, not singing mouth shapes.
Do not show watermarks, subtitles, additional text overlays, or unrelated logos. The focus must remain on the character, cinematography, summer street atmosphere, premium advertising quality, and product mood.
[SUBJECT + REFERENCES]
Use @Image1 as the only female protagonist, the only identity reference, the only facial reference, and the only hair-color reference.
Strictly lock her real identity:
— vivid copper-red long hair
— the hair must clearly extend below the shoulders, visibly longer than shoulder length, and must never become shorter
— blue-gray eyes
— fair, refined skin
— deep red glossy lips
— facial proportions, nose, lips, eyes, eyebrows, skin tone, and real skin structure must remain identical to the reference
— young and beautiful, with a slightly cool attitude mixed with playful provocation
She must remain completely identical to @Image1 throughout the entire video. Do not turn her into a different person, do not change her face, do not change her hair color, do not allow age drift, and do not deform her facial features. Her long red hair must be blown by the wind, swing naturally, and move across the foreground of the lens in multiple shots, becoming an important visual element of the film.
Her outfit is a unicorn kigurumi. It must be cute, fluffy, oversized, intentionally childish, deliberately slightly absurd, but still visually attractive. The main color is creamy white / white, with pastel details, a rainbow mane, ears, a horn, and oversized sleeves. The hood may sometimes be up and sometimes down, but it must never cover her face for a long time. Her long red hair and face must remain clearly visible.
Use @Image2 as the only reference for the product packaging. Preserve the overall long rectangular form of the watermelon-flavored Dirol package, its white main logo area, vivid pink-red accents, watermelon green, and watermelon visual elements. The product can appear as a handheld prop, during an opening action, in close-up inserts, and as a tabletop detail.
[SETTING / ENVIRONMENT]
A hot, sunny summer afternoon at an outdoor roadside drink stand / street kiosk / summer roadside kiosk.
Must include:
— a huge bright yellow sun umbrella
— a bright red-orange counter
— transparent plastic cups
— ice cubes
— whole watermelons, cut watermelons, watermelon slices, and watermelon-colored drinks
— dense green plants
— a clean blue sky
— a road in the distance
— palpable summer air
— a highly saturated street-commercial atmosphere
This world is not natural-documentary reality. It is a fashion-commercial reality where real-world colors have been intentionally intensified. Yellow, sky blue, watermelon red, watermelon pink, watermelon green, creamy white, and her vivid copper-red hair must form strong graphic color blocks.
The environment must feel real, spatially layered, airy, sunlit, and windy. Do not make it look like a studio background.
[PERFORMANCE CORE]
She is not standing quietly and she is not performing as a singer. She behaves like a deliberately overcommitted little idol / commercial protagonist who knows exactly how to play to the camera, carrying slightly silly-cringe energy inside a premium but intentionally ridiculous summer chewing-gum commercial.
While chewing gum, she performs many cute commercialized actions in rhythm with the music:
— point at the camera
— cup her face with her hands
— sway her body
— swing her sleeves
— raise the product packaging
— hold a watermelon slice
— turn her head and whip her hair
— lean toward the camera
— raise her chin
— wink
— jog two small steps
— make a half-turn
— blow a gum bubble
— use her oversized sleeves and hair to create foreground movement
— lightly jump to the beat, bounce her shoulders, shift her hips, and perform exaggerated mini-dance movements
— pretend she is a superstar filming a commercial
— hug a watermelon, use the watermelon as a prop, and display the product like a tiny trophy
All movement must feel real, rhythmic, and physically inertial, never stiff pose-to-pose animation. She must constantly feel as if she is actively “performing a commercial.”
[MUSIC / AUDIO]
The background music is an original, light, catchy, summery, playful, slightly cringe bubblegum-pop commercial song.
It is the soundtrack of the entire advertisement, not a song performed live by the character.
Track mood:
— bubblegum-pop
— cute commercial jingle
— summery
— catchy
— playful
— slightly silly
— polished ad-music energy
Lyrics of the soundtrack can be:
“Dirol watermelon, chew with me,
Sweet pink summer on a sunny street,
Fresh little sparkle, juicy and bright,
Chew chew baby, feel so light.
Dirol, Dirol, watermelon pop,
Bubble so pretty, never wanna stop,
Minty kiss and candy sky,
Chew it slow and fly so high.
Watermelon baby, fresh all day,
Pink green sparkle, come and play,
Chew, smile, spin around,
Dirol joy in every sound.”
These lyrics belong only to the background soundtrack.
The female protagonist must not sing these lyrics.
The female protagonist must not visibly mouth the lyrics.
The female protagonist must not behave like the lead singer of a music video.
She may:
— smile to the beat
— open her mouth while laughing
— chew
— blow bubbles
— react as if she is enjoying the music
— occasionally open her mouth for a non-verbal playful expression
But she must never create clear singing mouth shapes.
[NEW TIMELINE / NEW SHOT LIST / 30 SECONDS]
0.0–1.5s
The opening is NOT a frontal shot of the character.
A 16–18mm handheld camera rapidly travels at a very low height through a row of huge watermelons and transparent drink cups.
The nearest watermelons and cups are heavily blurred in the foreground, repeatedly slicing the frame with red, green, and transparent reflections.
Focus begins on water droplets in the foreground.
As the camera rushes forward out of the watermelon arrangement, the rack focus suddenly shifts to the female protagonist in the distance.
She stands under the huge yellow umbrella wearing the unicorn kigurumi, looking directly toward the camera like an extremely absurd but incredibly confident advertising superstar.
The background music begins.
She does not sing. She simply chews gum, lightly nods to the beat, and looks toward the camera.
1.5–3.0s
The camera rapidly passes behind one of the yellow umbrella poles.
The pole momentarily fills and completely blocks the entire frame, creating a natural foreground wipe.
As the pole clears the lens, reveal the female protagonist already leaning against the opposite side of the counter.
She holds a large watermelon slice as a “fake microphone” for the joke, but she must not actually sing.
She simply performs an exaggerated playful pose toward the watermelon, as though pretending to be an idol without actually lip-syncing.
The camera rapidly pushes toward her from the front-side angle.
Her long red hair is blown forward over her shoulders by the wind.
3.0–4.4s
Hard cut to an extremely low ground-level angle.
18mm.
The camera is almost touching the ground beside the road.
Wearing the oversized unicorn kigurumi, she lightly runs past the camera.
The camera operator immediately rises and tilts upward while following her, creating one continuous handheld rise:
feet → body → red hair → face.
At the end of the movement, the camera has just caught up with her face when she suddenly turns back and smiles toward the lens.
She is chewing gum, not singing.
4.4–5.7s
Very short beauty-product shot.
The @Image2 Dirol package lies horizontally on the wet cut surface of a watermelon.
The watermelon surface has direct sunlight, water droplets, rich red flesh texture, and black seeds.
This is not a static product photograph.
The camera performs an extremely close macro-style lateral fly-by.
Focus continuously travels:
watermelon seed → package → water droplet on the edge of the package.
The female protagonist's hand suddenly enters the frame and quickly grabs the package.
5.7–7.4s
Match cut.
The hand taking the package in the previous shot directly connects to the next shot.
The package suddenly appears less than 15 cm from the lens, occupying almost half of the frame.
The background is completely out of focus.
Her face peeks out from behind the package while she chews and smiles.
She does not sing.
Rack focus:
package sharp → package blurred → her eyes suddenly sharp.
She deliberately snaps the package away from the camera, revealing an exaggerated smile, then bounces her shoulders to the beat.
7.4–9.0s
Side-view parallel tracking shot.
She moves quickly sideways along the front of the brightly colored kiosk.
The camera operator moves parallel with her.
24mm, extremely close distance, with subtle natural vertical bounce caused by real footsteps.
The background music enters the chorus.
While walking, she grabs the horn on the unicorn hood with one hand and swings the oversized sleeve with the other, performing exaggerated commercial choreography.
Do not let her mouth the lyrics.
The yellow umbrella, red counter, watermelon, and blue sky generate rapid parallax in the background.
9.0–10.4s
The camera suddenly rushes to the opposite side of the counter.
Film her through transparent plastic cups containing cold drinks.
Two or three cups in the foreground are heavily out of focus.
Sunlight passes through pink drinks and ice cubes, producing colorful refraction.
Her face appears, disappears, and reappears between the transparent cups.
Focus constantly shifts:
ice cube → her face → water droplet → her eyes.
She looks at the camera and smiles while gently chewing gum, playfully interacting with the lens through the cups.
She does not sing.
10.4–11.8s
Extremely low-angle wide-angle close-up.
The camera is positioned below her chest and points upward.
She bends toward the lens while chewing gum and raises a watermelon slice over her head like a strange crown.
She is not singing.
She very seriously holds the pose, raises her chin, and performs playful superstar attitude.
The background contains only clean blue sky, the yellow umbrella, and watermelon red.
Strong sunlight enters the lens from behind the edge of the watermelon, producing a real lens flare and highlight bloom.
11.8–13.2s
The camera is positioned at the opposite end of the red-orange counter.
The female protagonist rolls a whole watermelon along the counter toward the camera.
At the same time, the camera rapidly retreats backward at a very low height.
The rolling watermelon remains extremely close to the lens and occupies a huge portion of the foreground.
Focus initially follows the rolling watermelon.
As it passes close to the camera, perform a rapid rack focus to the female protagonist behind it, moving her body rhythmically to the music.
She smiles, nods, and performs playful gestures.
She does not sing.
13.2–14.7s
High-angle 16–18mm wide shot.
Not fisheye.
No black circular border.
The camera is positioned approximately at the height of the yellow umbrella edge and looks diagonally downward at her.
She stands among a circle of watermelons, drink crates, and brightly colored objects, very seriously performing an intentionally silly two-step mini-dance.
She swings both oversized sleeves and makes a half-turn in place.
At the same time, the camera performs a short overhead arc in the opposite direction, producing strong dynamic relative motion.
14.7–16.1s
Hard cut to an extreme close-up of her long red hair.
The wind blows a large amount of red hair directly across the lens until it almost completely obscures the frame.
The camera slides sideways through the moving hair and reveals her side profile.
She suddenly shifts her eyes toward the camera, softly exhales, smiles, and continues chewing gum.
Extremely shallow depth of field.
Her eye is sharp.
The red hair in the foreground and yellow background are softly defocused.
16.1–17.5s
She stands behind the kiosk holding a transparent watermelon-colored cold drink.
The camera rapidly travels through a small opening beneath the counter, as if physically emerging from between fruit and cups.
At the exact moment the camera bursts out from beneath the counter, she extends the cup directly toward the lens.
Liquid, ice cubes, water droplets, and the cup walls create real optical refraction.
Rack focus jumps from the ice inside the cup to her smiling face.
She makes an exaggerated “fresh!” facial expression, but does not say the word and does not sing.
17.5–18.8s
Short absurd beauty shot.
She holds a small triangular watermelon slice over one eye.
24mm close-up.
Because the watermelon is extremely close to the lens, the wide-angle perspective exaggerates its size while her face remains behind it.
She peeks around the watermelon with the other eye and performs an extremely serious wink.
The camera has a subtle sideways handheld drift.
18.8–20.3s
Fast handheld orbit.
She hugs a whole watermelon as if it were a precious pet and performs exaggerated small movements to the music.
She smiles and gently rotates her body.
The camera moves approximately 120° around her.
This must NOT be a perfectly smooth stabilized orbit.
It should feel like a beautiful handheld arc created by a real camera operator moving quickly around the performer.
Her red hair, oversized sleeves, and unicorn hood respond naturally with physical inertia.
20.3–21.7s
The camera suddenly moves extremely close.
She pushes half a watermelon directly toward the lens.
The red flesh instantly covers the entire frame, creating a practical wipe transition.
A moment later, the watermelon is pulled away to reveal her face.
She has already switched to a new exaggerated expression:
both hands supporting her face, eyes extremely serious, as though filming the most ridiculous premium commercial imaginable.
The reveal must be fast, funny, and strongly commercial.
21.7–23.0s
Extremely low-angle camera pass.
The lens rapidly travels underneath her oversized unicorn sleeve.
The sleeve sweeps across the top of the frame, creating a soft foreground wipe.
After the camera passes underneath it, reveal her standing under the yellow umbrella looking upward.
She lightly tosses the Dirol package a short distance upward and catches it herself.
Do not make it a high throw.
It is only a light playful action.
The camera follows the package with a fast tilt-up / tilt-down.
23.0–24.3s
Package-to-face focus shot.
She holds the package next to her face.
The camera is close.
24mm.
At first, the package is sharp while she is blurred.
Rack focus to her eyes.
Then she suddenly moves the package sideways out of frame, leans closer toward the camera, and performs an exaggerated smile and shoulder bounce to the rhythm of the chorus.
24.3–25.6s
The camera rapidly travels sideways past a row of hanging small colorful flags / transparent plastic decorations / the edge of the yellow umbrella.
These foreground objects repeatedly obscure the image.
Every time there is a gap, briefly reveal her performing a different exaggerated action:
— pointing at the camera
— winking
— hugging a watermelon
— swinging a sleeve
— grabbing the unicorn horn
Create a rapid in-camera montage entirely through real foreground occlusion.
25.6–27.0s
24mm close-range tracking backwards.
She suddenly jogs out from behind the kiosk and playfully chases the camera.
She is not simply walking toward the lens.
She is genuinely moving after the camera with light, playful energy.
The camera operator rapidly moves backward, producing a more noticeable but still beautiful handheld bounce.
Her long red hair, clearly extending below her shoulders, swings strongly with the movement.
She smiles, chews gum, and performs playful attitude directly toward the camera.
She does not sing.
27.0–28.1s
Sudden hard cut to an extreme side close-up of her face.
Not a frontal eye macro.
The camera is almost touching the side of her face.
Begin at her ear and long red hair, then rapidly slide sideways toward her eye and lips.
During the slide, focus continuously transitions:
hair strands → eye → lips.
She keeps chewing gum and cannot help smiling.
This is a very beautiful commercial beauty camera pass.
28.1–29.0s
She stands beneath the yellow umbrella.
Medium-wide low angle.
She suddenly pulls the entire unicorn hood over her head, grabs both ears, and performs an extremely serious yet completely absurd superstar pose.
The camera performs an extremely fast physical push-in.
The background music reaches a small climax here, but she still does not sing.
She simply commits fully to the pose and facial expression.
29.0–30.0s
The ending is NOT a normal static bubble-blowing shot.
The camera is already extremely close.
She begins blowing a vivid pink bubblegum bubble.
At the same time, the camera performs a short 30–40° arc move along the side of her face while preserving authentic handheld shake.
The bubble rapidly expands into the extreme foreground.
Rack focus:
her eyes sharp → surface of the bubble sharp.
The bubble reflects the yellow umbrella, blue sky, watermelon red, green plants, and her red hair.
Just as the bubble is about to touch the lens, she suddenly and lightly pops it with one finger.
POP.
A very short handheld camera bump.
She laughs happily behind the popped bubble.
HARD CUT TO END.
[CAMERA LANGUAGE — HIGHEST PRIORITY]
The camera must feel “alive” throughout the entire video.
No fixed tripod.
Do not make it perfectly stable like a gimbal-demo commercial.
Do not limit the movement to basic pans and zooms.
It must use beautiful commercial handheld cinematography.
Camera behavior:
— close-range handheld fashion-commercial cinematography
— 16–24mm wide-angle perspective
— natural wide-angle distortion, but no black fisheye frame
— live operator movement
— clearly visible but controlled handheld shake
— natural walking bounce
— small physical camera corrections
— camera flying through foreground objects
— fast reveal moves
— quick physical push-ins and pull-backs
— lateral tracking
— parallel tracking
— handheld arcs and partial orbits
— ground-level passes
— high-angle moving shots
— foreground wipes using watermelon, hair, sleeves, umbrella poles, and drinks
— fast handheld tilt-ups
— aggressive but beautiful perspective changes
— dynamic scale changes
— continuous rack focus
— focus pulls during actual camera movement
— natural focus breathing
— focus transitions between face, product, watermelon, drink, hair, and foreground
— physical camera motion only, never digital zoom animation
The camera does not stand far away and simply observe her.
It constantly enters her personal space, passes close beside her, moves through fruit and cups, travels around the umbrella, rises from below, sweeps from above, and runs after her.
The handheld quality must be clearly visible.
The image may contain real small shakes, vertical motion caused by footsteps, tiny corrections when the operator reframes, and physical inertia after rapid movements.
However, it must still look like premium commercial cinematography, not random shaky cam.
Core feeling:
CLOSE + ALIVE + PHYSICAL + IMPERFECT + BEAUTIFUL.
[LENS / CAMERA EFFECTS]
Use real optical camera effects, not cheap digital tricks:
— real sunlight lens flare
— subtle halation
— specular bloom
— horizontal lens streak
— glass refraction
— liquid refraction
— ice caustics
— foreground blur
— shallow depth of field
— natural focus breathing
— strong readable rack-focus transitions
— directional motion blur during fast fly-bys
— foreground occlusion
— brief highlight clipping from direct sunlight
— very subtle chromatic fringing near extreme highlights
During fast movement, the background may develop natural directional blur, but the face, product, or primary action must regain clear focus at important moments.
Forbidden:
— black fisheye vignette
— circular fisheye black frame
— static tripod feeling
— perfect gimbal smoothness
— digital zoom
— neon glow
— CGI energy effects
— fake laser light
— excessive dreamy glow
— heavy VHS
— cheap glitch transitions
[EXPOSURE / LIGHTING]
Strong summer sunlight.
Overall slightly overexposed fashion-commercial exposure, while still preserving real skin texture and detail on the protagonist's face.
The sun may enter the lens directly.
Allow beautiful exposure breathing, localized highlight clipping, flare, and bloom.
Priority highlights:
— edges of the red hair
— wet glossy lips
— Dirol package
— watermelon flesh and water droplets
— ice cubes
— plastic cups
— bubble gum
— fluffy edges of the kigurumi
The skin must remain real and refined.
No plastic skin.
The hair must show clearly visible individual strands.
Especially emphasize that her vivid copper-red long hair clearly extends below the shoulders and has realistic weight, delay, and inertia during rapid movement.
[COLOR]
Hyper-saturated editorial commercial grading.
Primary colors:
— acid yellow
— deep sky blue
— watermelon red
— watermelon pink
— fresh green
— creamy white
— rich copper-red hair
The overall image must be highly saturated, summery, pop, and beautiful, but must not look like a cheap HDR video-game image.
Skin tones remain natural.
Watermelon reds and greens must appear extremely vivid, fresh, and juicy.
The yellow umbrella creates a large graphic color block.
The blue sky must be clean and retain realistic brightness.
Her copper-red hair becomes another strong visual color block.
[IMAGE TEXTURE]
Digital fashion cinema with subtle filmic texture.
High resolution, but no clinical sharpness.
Subtle fine film grain.
Slight highlight halation.
Realistic motion blur.
Rich dynamic range.
Clean shadows.
Soft highlight roll-off.
The image must simultaneously contain:
real photographic texture

• glossy magazine finish
• premium commercial beauty
• playful summer energy
• intentional cringe humor.

[EDITING]
This new version must not repeat the rigid rhythm of the previous version.
Prioritize:
— moving reveals
— foreground wipes
— camera fly-throughs
— matched movement
— focus transitions
— hard cuts
— scale contrast
— parallel tracking
— camera-follow action
Do not use flashy digital transitions.
Every shot must have a clear cinematographic intention.
Shots must connect through object movement, camera direction, character movement, or focus changes rather than random cutting.
Maintain high-density variation throughout the 30 seconds:
product → character → space → watermelon → performance → transparent foreground → action → product → beauty close-up → absurd performance → bubble ending.
[QUALITY / CONTINUITY]
The female protagonist must maintain exactly the same identity in every shot.
Her face shape, eyes, nose, lips, skin tone, hair color, and hairstyle must never drift.
MOST IMPORTANT:
She must always have vivid copper-red long hair.
The hair length must clearly extend below the shoulders.
Absolutely do not generate short hair, medium-length hair, or shoulder-length hair.
Even when wearing the unicorn hood, a large amount of long red hair must remain visible beneath the hood and fall below her shoulders.
The unicorn kigurumi must remain consistent.
The product packaging must remain consistent with @Image2.
All movement must have weight, inertia, and natural acceleration.
Hair, oversized sleeves, hood ears, horn, watermelon, packaging, liquid, ice cubes, water droplets, and bubble gum must react logically and physically to movement, gravity, wind, and camera motion.
Because she is not singing, her mouth movement must primarily consist of:
— chewing
— smiling
— breathing
— playful facial reactions
— bubble blowing
— small laughs
— attitude expressions
and NOT clear lyric-mouthing or singing mouth shapes.
[FORBIDDEN]
Do not add a second person.
Do not allow unfamiliar background characters to steal focus.
No subtitles.
No watermarks.
Do not alter her face.
Do not change her age.
Do not change her hair color.
Do not shorten her long hair.
Do not generate shoulder-length hair.
Do not create a static-photo feeling.
Do not use stiff pose-to-pose animation.
Do not make every shot a frontal character shot.
Do not center every shot.
Do not use fake-looking backgrounds.
Do not create plastic skin.
Do not use exaggerated fisheye black borders.
Do not use a circular fisheye frame.
Do not make the camera excessively smooth like a stabilized gimbal.
Do not remove the visible handheld shake.
Do not make her sing.
Do not make her lip-sync.
Do not turn this into a lead-singer music-video performance.
Do not make it look like a generic studio shoot.
Do not make it cartoonish.
Do not make it look like a cheap e-commerce advertisement.